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Nekhludoff felt more at case with the boys than with the grown-up people, and he began talking to them as they went along. The little one with the pink shirt stopped laughing, and spoke as sensibly and as exactly as the elder one. "Can you tell me who are the poorest people you have got here?" asked Nekhludoff. "The poorest? Michael is poor, Simon Makhroff, and Martha, she is very poor." "And Anisia, she is still poorer; she's not even got a cow.

The door stood open, and the passage outside was full of people--boys, girls, women with babies--thronged together to look at the strange gentleman who wanted to see the peasants' food. The old woman seemed to pride herself on the way she behaved with a gentleman. "Yes, it's a miserable life, ours; that goes without saying, sir," said the old man. "What are you doing there?" he shouted to those in the passage.

'Dombey,' says the Major, seeing this, 'I give you joy. I congratulate you, Dombey. By the Lord, Sir,' says the Major, 'you are more to be envied, this day, than any man in England!' Here again Mr Dombey's assent is qualified; because he is going to confer a great distinction on a lady; and, no doubt, she is to be envied most. 'As to Edith Granger, Sir,' pursues the Major, 'there is not a woman in all Europe but might - and would, Sir, you will allow Bagstock to add - and would- give her ears, and her earrings, too, to be in Edith Granger's place.' 'You are good enough to say so, Major,' says Mr Dombey. 'Dombey,' returns the Major, 'you know it. Let us have no false delicacy. You know it.

Cousin Feenix has come over from abroad, expressly to attend the marriage. Cousin Feenix was a man about town, forty years ago; but he is still so juvenile in figure and in manner, and so well got up, that strangers are amazed when they discover latent wrinkles in his lordship's face, and crows' feet in his eyes: and first observe him, not exactly certain when he walks across a room, of going quite straight to where he wants to go.

From Balls Pond, Mr Perch brings Mrs Perch to spend the day with Mr Dombey's servants, and accompany them, surreptitiously, to see the wedding. In Mr Toots's lodgings, Mr Toots attires himself as if he were at least the Bridegroom; determined to behold the spectacle in splendour from a secret corner of the gallery, and thither to convey the Chicken: for it is Mr Toots's desperate intent to point out Florence to the Chicken, then and there, and openly to say, 'Now, Chicken, I will not deceive you any longer; the friend I have sometimes mentioned to you is myself; Miss Dombey is the object of my passion; what are your opinions, Chicken, in this state of things, and what, on the spot, do you advise?

In Mr Dombey's house, at this same time, there is great stir and bustle, more especially among the women: not one of whom has had a wink of sleep since four o'clock, and all of whom were fully dressed before six. Mr Towlinson is an object of greater consideration than usual to the housemaid, and the cook says at breakfast time that one wedding makes many, which the housemaid can't believe, and don't think true at all. Mr Towlinson reserves his sentiments on this question; being rendered something gloomy by the engagement of a foreigner with whiskers (Mr Towlinson is whiskerless himself), who has been hired to accompany the happy pair to Paris, and who is busy packing the new chariot.

For the beadle, that man of power, comes early this morning with the sexton; and Mrs Miff, the wheezy little pew-opener - a mighty dry old lady, sparely dressed, with not an inch of fulness anywhere about her - is also here, and has been waiting at the church-gate half-an-hour, as her place is, for the beadle. A vinegary face has Mrs Miff, and a mortified bonnet, and eke a thirsty soul for sixpences and shillings. Beckoning to stray people to come into pews, has given Mrs Miff an air of mystery; and there is reservation in the eye of Mrs Miff, as always knowing of a softer seat, but having her suspicions of the fee. There is no such fact as Mr Miff, nor has there been, these twenty years, and Mrs Miff would rather not allude to him.

Thus Edith Granger passed the night before her bridal. Thus the sun found her on her bridal morning. Dawn with its passionless blank face, steals shivering to the church beneath which lies the dust of little Paul and his mother, and looks in at the windows. It is cold and dark. Night crouches yet, upon the pavement, and broods, sombre and heavy, in nooks and corners of the building.

Without a tremor in her voice, or frame, and passing onward with a foot that set itself upon the neck of every soft emotion, she bade her mother good-night, and repaired to her own room. But not to rest; for there was no rest in the tumult of her agitation when alone to and fro, and to and fro, and to and fro again, five hundred times, among the splendid preparations for her adornment on the morrow; with her dark hair shaken down, her dark eyes flashing with a raging light, her broad white bosom red with the cruel grasp of the relentless hand with which she spurned it from her, pacing up and down with an averted head, as if she would avoid the sight of her own fair person, and divorce herself from its companionship.

'Then why do you revive it?' whimpered her mother. 'You know that you are lacerating me in the cruellest manner. You know how sensitive I am to unkindness. At such a moment, too, when I have so much to think of, and am naturally anxious to appear to the best advantage! I wonder at you, Edith. To make your mother a fright upon your wedding-day!' Edith bent the same fixed look upon her, as she sobbed and rubbed her eyes; and said in the same low steady voice, which had neither risen nor fallen since she first addressed her, 'I have said that Florence must go home.' 'Let her go!' cried the afflicted and affrighted parent, hastily. 'I am sure I am willing she should go.