Tue, 08/07/2012 - 19:35 — davidchen1
Thus Edith Granger passed the night before her bridal. Thus the sun found her on her bridal morning.
Dawn with its passionless blank face, steals shivering to the church beneath which lies the dust of little Paul and his mother, and looks in at the windows. It is cold
and dark. Night crouches yet, upon the pavement, and broods, sombre and heavy, in nooks and corners of the building. The steeple-clock, perched up above the houses,
emerging from beneath another of the countless ripples in the tide of time that regularly roll and break on the eternal shore, is greyly visible, like a stone beacon,
recording how the sea flows on; but within doors, dawn, at first, can only peep at night, and see that it is there.
Hovering feebly round the church, and looking in, dawn moans and weeps for its short reign, and its tears trickle on the window-glass, and the trees against the
church-wall bow their heads, and wring their many hands in sympathy. Night, growing pale before it, gradually fades out of the church, but lingers in the vaults below,
and sits upon the coffins. And now comes bright day, burnishing the steeple-clock, and reddening the spire, and drying up the tears of dawn, and stifling its
complaining; and the dawn, following the night, and chasing it from its last refuge, shrinks into the vaults itself and hides, with a frightened face, among the dead,
until night returns, refreshed, to drive it out.
And now, the mice, who have been busier with the prayer-books than their proper owners, and with the hassocks, more worn by their little teeth than by human knees,
hide their bright eyes in their holes, and gather close together in affright at the resounding clashing of the church-door.