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“I don’t mean to give her any but Teresona,” said Sancho, “which will go well with her stoutness and with her own right name, as she is called Teresa; and then when I sing her praises in my verses I’ll show how chaste my passion is, for I’m not going to look ‘for better bread than ever came from wheat’ in other men’s houses. It won’t do for the curate to have a shepherdess, for the sake of good example; and if the bachelor chooses to have one, that is his look-out.” “God bless me, Sancho my friend!” said Don Quixote, “what a life we shall lead! What hautboys and Zamora bagpipes we shall hear, what tabors, timbrels, and rebecks! And then if among all these different sorts of music that of the albogues is heard, almost all the pastoral instruments will be there.” “What are albogues?” asked Sancho, “for I never in my life heard tell of them or saw them.” “Albogues,” said Don Quixote, “are brass plates like candlesticks that struck against one another on the hollow side make a noise which, if not very pleasing or harmonious, is not disagreeable and accords very well with the rude notes of the bagpipe and tabor. The word albogue is Morisco, as are all those in our Spanish tongue that begin with al; for example, almohaza, almorzar, alhombra, alguacil, alhucema, almacen, alcancia, and others of the same sort, of which there are not many more; our language has only three that are Morisco and end in i, which are borcegui, zaquizami, and maravedi. Alheli and alfaqui are seen to be Arabic, as well by the al at the beginning as by the they end with. I mention this incidentally, the chance allusion to albogues having reminded me of it; and it will be of great assistance to us in the perfect practice of this calling that I am something of a poet, as thou knowest, and that besides the bachelor Samson Carrasco is an accomplished one. Of the curate I say nothing; but I will wager he has some spice of the poet in him, and no doubt Master Nicholas too, for all barbers, or most of them, are guitar players and stringers of verses.